Audience question: Stephenie, what did you do to capture the same audience as the book readers?
Stephenie Meyer: Most of it was Andrew Niccol, who also did the screenplay,
is a genius. So, from the beginning I felt like I was in really good hands. It
wasn’t too much what I had to do besides just sort of be a part of the
conversation, what we were doing and talk about how I wanted the feel of it to
be. I really liked what he was able to glean as he sorted it down, which I
can’t do. I can’t abridge.
Moderator: What is it like to see your story come to life on the big
screen? I image you were pretty involved with the production and the creation
of The Host?
Stephenie: I was for this one. It’s a really interesting process
because there’s stuff you lose with a book this long when making it into a
movie. But so many of the things we were able to do really had the heart of the
story. And I was so pleased. The casting is always such a big deal and if you
can get that right then things tend to work out. I felt like the cast was just
amazing on this. They did such a good job. It always makes me cry.
Audience question: What was it like writing The
Host?
Stephenie: The Host was
actually a really great experience. I wrote it while I was editing Eclipse and I was kind of overwhelmed
with vampires and red ink and a lot of people having expectations of what they
wanted for the next book and knowing I wasn’t always answering those. So I kind
of needed a private place and that’s what The Host was. It was just my own
story again and no one knew about it and I didn’t really know if I was ever
going to publish it. And it’s kind of back to my roots; it was out in the
desert and that’s where I grew up. I enjoyed my time in it for sure.
For Max, having your father be in this industry, what is the
most valuable lesson he taught you?
Max Irons: Well, initially he told me not to be an actor. He reminded
me that it’s very difficult. It’s not easy, but then once he saw that I was
serious, he said “be prepared for the ups and downs, the good, the highs and lows."
Jake Abel: He did say, "Be prepared?"
Max Irons: But once he saw I was serious, he supported me.
Jake Abel: He did say, "Be prepared?"
Max Irons: But once he saw I was serious, he supported me.
Moderator: Jake, I have a question for you. This isn’t the first time
you’ve shared the screen with Saoirse Ronan, right? The Lovely Bones I believe,
you guys go back to that.
Jake Abel: Yeah, briefly. It was nice to actually get to do a scene
with Saoirse rather than just be in a scene Saoirse’s in, so that was a real
treat. I’ve been waiting to have something like this ever since then.
Moderator: That was probably a relief to know that you are working with
such as seasoned actress. I mean, essentially she’s playing two in one. You
just mentioned Stephenie the importance of the cast. That must have been a big
one for you as well.
Stephenie: That was really huge because we knew were going to ask
someone to play two characters. And initially this was a very complicated
independent movie, this wasn’t done with a studio because a lot of studios just
didn’t understand how you are going to make that clear. And the director and I
always felt like it was just a really great performance, this isn’t going to be
special effects and we just knew we had to have a really great actress. Then we
got Saoirse and we were al very, very happy.
Audience question: Stephenie, how did you get started as a writer and what do
you suggest for people who want to be writers (something to that effect)?
Stephenie: I got started really by accident and I got really involved
with this story in my head and I wanted to write it down so I wouldn’t forget
it. I guess a lot of me being a writer is due to my children who erased my
memory when they were born. I can’t remember anything and so I wrote them down.
I loved the process of writing and I really enjoyed myself. So when I talk to
wannabe writers, there’s a difference. Some people want to write and some
people want to have written. They want to be authors, but the actual writing
process isn’t their favorite thing. If that’s the case, then I say skip it and
find something you love. But if you love to write, I always tell people you
don’t think about being published, don’t think about other readers. In the
beginning, just write for yourself and love it for yourself and if you love it,
that’s the first step. Then, when it’s finished, when it’s done, when you’re
really happy with it, then bring someone else in, but don’t spend the whole
time thinking about the market you’re writing for or who you’re going to show
it to, just please yourself.
Audience question: Was it difficult to cover up your accent? (To Max)
Max: Yes, it was. I’m terrible at accents. Everything I do comes
out back to front. Lots and lots of repetition. Did it sound ok? (Lots of yeses
from the crowd.)
Audience question: Did you guys read The
Host before?
Jake: Yeah, I did. I think I read it in three sittings.
Max: Three sittings?
Jake: Very long
sittings. I didn’t move. Maybe it was a week, it was so long ago.
Max (to Stephenie): It’s a big book!
Moderator: Stephenie, you’ve been getting a lot of comparisons with
Twilight and The Host. I mean, two completely different babies for you, right?
Stephenie: For me, they are so separate. But there’s always, because I wrote them
both, they’re always going to have that since Twilight was this big deal. There’s always going to be comparisons, but I
wish that we could separate them a lot more because I feel like it’s something
so different. And what these gentlemen have done, what Saoirse has done is just
this really amazing thing and I wish we could do it in a vacuum, but of course
it’s not possible, so we’ll just deal with what we have.
Moderator: Would you guys agree that this is a more grown up story as
well, compared to Twilight? We love our werewolves and vampires, don’t get me
wrong, but aliens are kind of cool too, right?
Audience question: Was there a scene you were particularly excited about
filiming?
Stephenie: Stephenie's answer is a bit of a spoiler, so I was asked to to include it here.
Max: It’s not a very sophisticated answer, but the fight
scene where I got to attack Kyle and Wes and Jake was fighting Saoirse. I like
that because that kind of thing rarely happens to me in life and it sort of
flatters the ego a bit.
Jake: Before I saw the film on Saturday, I always thought it
was Ian and Wanda’s first date scene, when he finally takes her outside. That
was one of my favorites to film, but one of my favorites to watch was the whole
chase scene. I was really surprised. I had no idea how that was going to turn
out and I was on the edge of my seat.
Audience question: The Host was meant more for an adult audience. How do you
feel about it being more towards a younger audience, like for your Twilight
fans?
Stephenie: I think that the people who invested in the movie would be
really excited if all the Twilight fans came out to see it. I think that would
be great for them. I just hope it reaches a broader audience. This is the one
that my dad likes to read. My uncle just saw it yesterday. It’s a little more
guy friendly. The other books are all about romantic love and that’s it. And
it’s from a very female perspective, so it’s just about falling in love with a
boy, which doesn’t work for everyone. And these are about so many different
kinds of love and loyalties and a much broader story, so I hope it finds a
wider audience than the last one.
Moderator: To add to that Stephenie, I would say as a viewer that was
here in the audience, it also shows spirit, the human spirit surviving. At one
point in the film we’re barely surviving, but it shows that the human spirit
can go on. That’s a great emotion as well, an old emotion.
Stephenie: Well, when you’re a teenager in love, it feels like
everything is life and death, but this is actual life and death, which is kind
of more fun.
Jake: Not to mention all the explosions and gun fire.
Audience question: Your books contain all these complex worlds. What’s the
writing process like when you are coming up with all these ideas?
Stephenie: Coming up with the ideas is the easy part. This story
started with three characters, two bodies. I had the idea of two people in one
body in love with the same person and that was the seed it started from. Once
you have an idea of your characters, all the rest of it just sort of grows
around that. I’ve never had a problem fleshing it out; my problem is going too
long. So keeping it a nice tidy story is not my gift; being complicated is a
lot more of what I do.
Audience question: A common thread in your books is that the villains are not
really bad; they are just embodying their species. Was this a conscious
decision?
Stephenie: My life has a lot of really good people in it, so I tend to
look at people and try to understand their motives. I think people act in ways
that seem reasonable and right to them, but this doesn’t apply to everyone. In
this I don’t have a lot of real bad guys because the aliens are super nice,
kind of like Canadians and polite all the time, so they’re not bad except that they’ve
wiped us all out. It just depends on where your priorities are. With the other
series, there are different levels of evil and different levels of how sick
some of them get, but I like to think the world is a good place, full of good
people. I get proven wrong a lot, but I guess I’m still hopeful.
Just ALL YOUR story? BULLSHIT
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